fbpx

Striking and innovative: the Panton Chair by Verner Panton

A design icon that had to wait for production methods to catch up.

Sometimes, iconic products move from the designer’s imagination to manufacture in a matter of weeks. Others slowly move through several iterations and take years to reach production. The Panton Chair endured such a prolonged gestation.

Verner Panton began his career as an artist in Odense before studying architecture at the Royal Danish Academy of Art in Copenhagen, from where he graduated in 1951.

After two tempestuous years working at the architectural practice of Danish architect and furniture designer Arne Jacobsen, Panton set up his own design and architectural office, where he applied his unconventional approach both to innovative architectural proposals and to the creation of a chair without legs or a discernible back.

The initial sketches and design drawings for what would become the Panton Chair were made by Panton in the mid-1950s, and in 1960 he created his first model, which was formed using a plaster-cast.

It was not until Panton met Willi Fehlbaum from furniture manufacturer Vitra in the mid-1960s that a production version of the advanced chair became a possibility. The first models were formed from cold-pressed polyester strengthened with fibreglass; they were heavy and required a lot of labour-intensive finishing.

A change of material allowed the cost of the chair to come down, and in 1968 Vitra began serial production of the final version, which was available in seven different colours and sold by Herman Miller.

The production model, defined by its organic shapes, was the world’s first single-form injection-moulded plastic chair. Alternatively known as the Stacking Chair or S Chair and now officially known as the Panton Chair Classic, it became Panton’s most famous design.

In 1999 Vitra introduced a lower-cost version made of polypropylene, the Panton Chair, which is also suitable for outdoor use.

The Panton Chair has been widely exhibited around the world and currently forms part of the permanent collections of some of the world’s most famous design museums, including the Museum of Modern Art in New York, the Design Museum in London, the German Historical Museum in Berlin and the Danish Museum of Art & Design in Copenhagen.

The Latest
December 18, 2024

Step inside the Butterfly House on Al Noor Island

Designed by Austrian artist André Heller and executed by the German design studio 3deluxe, the Butterfly House carries iconographic architecture in an urban biotope

December 18, 2024

Things to Covet – December 2024

Here are this month’s picks to enhance your gatherings

December 17, 2024
December 17, 2024

Ahead of the Curves

This monograph by Taschen captures the visionary legacy of the architect

December 16, 2024

Cracking Open the Canyon

Ma Yansong and MAD Architects have unveiled Denver’s One River North – a shining example where urban architecture meets nature

December 13, 2024

Redefining Outdoor Spaces

Here are some exciting new releases that can enhance your outdoor space

December 13, 2024

Compact Space, Big Style

Designed by Olga Ashby, this London pied-à-terre with a dream rooftop is filled with plenty of storage for a fashion lover

December 12, 2024
60 Curzon

Timeless Elegance

60 Curzon unveils an art-deco inspired residence designed by Elicyon in Mayfair, London

December 12, 2024

Highlights from Tanween 2024

This year’s conference focused on ‘failing forward’ by inviting designers worldwide to embrace creative resilience

December 12, 2024

A Vertical Oasis

Ambitious and rooted in heritage, this ultra-thin tower designed by Spanish architectural firm RCR Arquitectes is being developed by Dubai-based Muraba

December 10, 2024

Transforming Surface Protection

Ferrutti Building Contracting introduces Q-Termik, an eco-friendly solution combining heat reflection, insulation and waterproofing for sustainable, high-performance surfaces